Movies are a concentrated expression of the aesthetic culture of a specific nation and region in a specific era. In the process of production and dissemination, a certain aesthetic paradigm preference will be formed. Throughout the history of Chinese film development, there are two different preferences for aesthetic paradigms: one is the scientific paradigm preference for film aesthetics under the aesthetics of cultural theory, that is, in terms of film narrative structure and character creation, and so on. To grab the audience, various TV stations are bound to help to display the content more exquisitely. Using computer multimedia technology can make the breadth, depth, literariness, and artistry of the content of film and television works displayed to a large extent. Therefore, the production of modern film and television works, especially post-production, the use of multimedia technology is of great significance.
@artical{y1272023ijsea12071047,
Title = "Application of Multimedia Technology in Film and Television Post-Production Under the Analysis of Film Aesthetics Paradigm",
Journal ="International Journal of Science and Engineering Applications (IJSEA)",
Volume = "12",
Issue ="7",
Pages ="174 - 176",
Year = "2023",
Authors ="Yuxuan Liu"}